ornakazimi.com

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	<title>ornakazimi.com</title>
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	<pubDate>Thu, 20 Nov 2025 16:11:48 +0000</pubDate>
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		<title>Back </title>
				
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		<pubDate>Thu, 20 Nov 2025 16:11:48 +0000</pubDate>

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		<title>Writing </title>
				
		<link>https://ornakazimi.com/Writing</link>

		<pubDate>Thu, 14 Apr 2022 14:37:39 +0000</pubDate>

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︎︎︎


‘I’ as a space for occurrence

This writing is resulting of the movement of a CatFish with red fins through my brain.
It is a CatFish growing up, there, in my mind. I call this writing that of someone inhabited by a CatFish because when the CatFish moves in between the cracks of my mind
its long narrow ‘moustaches’ pass through the tiny cracks of my mind very smoothly.
The moustaches touch what I have forgotten like the red door of our house, the image
of my mom’s eyes, sounds from where I am not anymore.&#60;img width="1059" height="708" width_o="1059" height_o="708" data-src="https://freight.cargo.site/t/original/i/ce60d802d4a402b21edc9a29a068088bdac9bf955ebd9d3230535c42a41125ae/Screenshot-2022-04-11-at-14.10.06.png" data-mid="139809895" border="0"  src="https://freight.cargo.site/w/1000/i/ce60d802d4a402b21edc9a29a068088bdac9bf955ebd9d3230535c42a41125ae/Screenshot-2022-04-11-at-14.10.06.png" /&#62;
Read CatFish Here ︎Listen Here︎

The Magic Border&#38;nbsp;


Commissioned&#38;nbsp;by Goethe-Institut 2021&#38;nbsp;

It was on a cold and rainy day in Kabul that I found myself
floating in delicate harmony with my identity, art, and life. The conflicting
aspects of my identity had at last found a balance and it had occurred just
like that, like an uninvited wind. As it rained, I watched Kabul slowly emerge from behind the thick
dust. I was sitting on the marble stairs of the Queen’s Palace staring at the
mountains. The bright colours of houses on the mountainside had turned the city
from a tired and ragged beggar to a young impatient lover. 

I was among the top ten artists selected for the Afghan Art Prize
in Kabul. We were at the Queen’s Palace in the Bagh-e-Babur, or Babur's Garden to install our art works for the
exhibition. The moments were drunk with joy and satisfaction. I felt I had completed the struggle to become an artist at last. The chance that was never
given to me in Iran happened in Kabul. I thought the rest would be easier. 

I found myself at peace, at rest, not knowing precisely when that moment of rest had arrived. It might have
happened in the market, surrounded by the smell of fish. Or come attached to the voice of Ahmad Zahir that reverberated in the distance, between me and an explosion. It could have
sneaked in when I was drinking my ready-made coffee sweetened with two full
spoons of sugar, listening to an art history session arranged by my friends.

I was redefined and reshaped in Kabul as if I had been melted and
poured into a different mould; a mould I worked hard to make. Although the
concept of life was in constant change, I was so comfortable with the new self
that I couldn’t fit into my previous mould in Iran - of an Iran-born Afghan refugee. 

Home is a hostage, unreachable and trapped by borders on the outskirts of Mashhad in
Iran. A mere six hours away is the city of
Herat, my first encounter with Afghanistan. The first time I crossed the border into Herat, I had documents proclaiming that I was a
refugee born in Iran who lives with her family in Mashhad. A couple of days
later when I crossed the same border to go home, my
documents denied the past and proclaimed that I was an Afghan citizen, entering Iran alone on a student visa. It
seems strange now, but it was normal then. 
Normal for Iran-born Afghans determined
to go to university. As refugees we were not entitled to an education, or to
employment. To study in Iran we had to give up our
refugee status in Iran leave the country, then apply for a student visa, returning
as Afghan
students to Iran.

This magic border reshaped and re-appropriated the family
history of thousands. After graduating from university, I stood in the line at the border again and
received a red stamp declaring my permanent exit. 

Home is a cubit space outlined by four white walls. The space
carries the voice of Nana (meaning 'mother' in my
mother-tongue) waking everyone up for breakfast early in the morning before the
sun spoils the freshness hanging in the air. 

The delicate balance I felt at the Queen's
Palace in Kabul was a rare moment of equilibrium in all these crossings.
Sitting
on a black chair in my studio in London, I know that it is gone now. 


As I write this, I get the news that the Taliban has taken control
of the border between Iran and Afghanistan/ Herat and Mashad- the same magic
border I crossed as a student.&#38;nbsp; I listen
to the residents of Herat describing the situation on the social media app, Clubhouse.
 Herat is under siege, the Taliban has
blocked the route to the airport. Before this, provincial capitals across the
country had been controlled one after another by the Taliban. With these
changes,&#38;nbsp;&#38;nbsp; hope has been fading into the
shadows - not just for the residents of Afghanistan but also for&#38;nbsp; Iran-born Afghans who decided to go to
university so they could work and live with dignity in Afghanistan.


My sister is on the phone from Iran. Her wavering voice is paralysed with the question: is there any point in
continuing her studies in Iran? “Is it worth the money?”
she asks. I sense a sad subtle grin on her face when she adds: “I thought I
might be able to teach at Kabul University if I do my master’s degree here.” I
was not able to tell her that at least she is safe in Iran because I am aware
that the loss of hope can be as deadly as war. 
For many of us, returning to Afghanistan was the only way out of our
predetermined fate in Iran. 


For Iran-born Afghans like me who pursued their education despite
desperate financial constraints and the systematic discrimination they faced in
Iran, rebuilding Afghanistan was one of our main aspirations.&#38;nbsp; Now with the Taliban gaining ground each day
in Afghanistan, the hope of returning is fading away, like the image of Kabul seen on that rainy day.&#38;nbsp; 


Lines of Baaboo were horizontal 

Like a wavering grain field, it conjures in mirage. It has possessed my long shaking fingers now. I am called over and over again. I have become the empty content attached to the image. An image detached from any dimension. Time and space are as abstract as my gaze. However, I don’t remember when I’m drained and poured by the shaking scene. I know it is not neither present nor past. Maybe when I was drinking black tea staring at the neighbour’s pine tree, I had been possessed by a sound that doesn’t say anything.

Baaboo got lost to find his land. 

One day, as usual, folding his hands behind his back he realized they were tied enough to pass the Gholshahr streets.
The mirage calls me back and insists to see him for the first time from behind when he walks. His steps are too heavy to walk on such a ragged mirage that he always starts sinking into the bottom of it.

The lines of my fingers are so vertical that his horizontal fall creates a 90 degree angle.

The shake of my fingers is a sound without voice that just occurs.

It seems that he is fated to live in the mirage from which he is constantly leaking. You are right, no one reads the Quran for an immortal Baaboo without any dimension. 
..........
*Baaboo in Hazaregi language means grandfather.
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		<title>Orna kazimi</title>
				
		<link>https://ornakazimi.com/Orna-kazimi</link>

		<pubDate>Tue, 05 Apr 2022 09:27:47 +0000</pubDate>

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		<description>ORNA KAZIMI</description>
		
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		<title>HOME2</title>
				
		<link>https://ornakazimi.com/HOME2</link>

		<pubDate>Thu, 14 Oct 2021 10:28:33 +0000</pubDate>

		<dc:creator>ornakazimi.com</dc:creator>

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	ORNA KAZIMI
&#60;img width="2181" height="2852" width_o="2181" height_o="2852" data-src="https://freight.cargo.site/t/original/i/bfd2e9042e1aa74f75c115755fa4197b60fbd8286231817e1ddf08299c750e8e/4-1---20-11-2025-14-59-37.png" data-mid="240889183" border="0" data-scale="38" src="https://freight.cargo.site/w/1000/i/bfd2e9042e1aa74f75c115755fa4197b60fbd8286231817e1ddf08299c750e8e/4-1---20-11-2025-14-59-37.png" /&#62;
	Installation l Aniamtion 
	

Illustration
	Writing


Drawing


	Contact
	Bio


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		<title>Animation</title>
				
		<link>https://ornakazimi.com/Animation</link>

		<pubDate>Thu, 25 Feb 2021 11:04:06 +0000</pubDate>

		<dc:creator>ornakazimi.com</dc:creator>

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		<description>︎︎︎

The Greenness of a Mosque 2021
Animation
Duration: 1:52


This Project focuses on the lack of social mobility among the Afghan community in Iran who originally fled the conflict in Afghanistan about four decades ago. A new Afghan generation of children and grandchildren were born into a similar, or worse, socio-political climate as their parents and grandparents faced in Iran due to racism, despite being born in Iran. ‘The Greenness of a Mosque’ depicts the suffering of Afghan mothers, fearing that their children might decide to go to the war in Syria on a promise that their families would receive money and the right to remain in Iran.

Chair 2021
Animation
Duration: 33 Seconds


CatFish Creative writing 2020&#60;img width="1229" height="1720" width_o="1229" height_o="1720" data-src="https://freight.cargo.site/t/original/i/ddeb3c9e8842f40156700a8d4a54fe1fea8c1130c175c81f3de72bd870ed6deb/Screenshot-2021-04-15-at-10.59.00.png" data-mid="105323354" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/ddeb3c9e8842f40156700a8d4a54fe1fea8c1130c175c81f3de72bd870ed6deb/Screenshot-2021-04-15-at-10.59.00.png" /&#62;
	

Read CatFish Here ︎
Listen Here︎ 
	

Death starts from the right toe 2018

 
4x5 m at Lethaby Gallery, London
&#60;img width="4470" height="3075" width_o="4470" height_o="3075" data-src="https://freight.cargo.site/t/original/i/c340d7813b178816eab14b15af914dadfa68f50440f548831acbf6db91bddd6e/edited2.jpg" data-mid="101296652" border="0"  src="https://freight.cargo.site/w/1000/i/c340d7813b178816eab14b15af914dadfa68f50440f548831acbf6db91bddd6e/edited2.jpg" /&#62;
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&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/08b365e4c8e31e7d90b9f47b84405556cb9887882faff4762b5e34f76490a50c/DSC_0057.JPG" data-mid="100124313" border="0"  src="https://freight.cargo.site/w/1000/i/08b365e4c8e31e7d90b9f47b84405556cb9887882faff4762b5e34f76490a50c/DSC_0057.JPG" /&#62;


Alter Us Manifesto Declaration 2019 - collaborative perfomance 


Dehmazang 2019
interactive installation 2x4 m&#38;nbsp;&#60;img width="4608" height="2592" width_o="4608" height_o="2592" data-src="https://freight.cargo.site/t/original/i/8f2685a2170d45411c561248bb5deec0350da0da20d65b4ee779413ae35b53c9/20180427_183544.jpg" data-mid="139639199" border="0"  src="https://freight.cargo.site/w/1000/i/8f2685a2170d45411c561248bb5deec0350da0da20d65b4ee779413ae35b53c9/20180427_183544.jpg" /&#62;

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Tate exchange at tate modern 2017


&#60;img width="480" height="640" width_o="480" height_o="640" data-src="https://freight.cargo.site/t/original/i/72260f89c3a170be8f1412e3bd298a51cc58c4234db134578e0a6b3bd94f3e1a/IMG_6413.JPG" data-mid="100127599" border="0"  src="https://freight.cargo.site/w/480/i/72260f89c3a170be8f1412e3bd298a51cc58c4234db134578e0a6b3bd94f3e1a/IMG_6413.JPG" /&#62;
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Untitled 2014

plaster Bandage&#38;nbsp;&#60;img width="1426" height="951" width_o="1426" height_o="951" data-src="https://freight.cargo.site/t/original/i/b0303b11d450974d592c8cbfa05b60c94e3228efbd4d4c5a24e4c9f0a0af2bc6/edited.jpg" data-mid="101258409" border="0"  src="https://freight.cargo.site/w/1000/i/b0303b11d450974d592c8cbfa05b60c94e3228efbd4d4c5a24e4c9f0a0af2bc6/edited.jpg" /&#62;


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&#60;img width="571" height="856" width_o="571" height_o="856" data-src="https://freight.cargo.site/t/original/i/f3ebbb672e8b9bfd1db9f70534f4aaf6ed91788e81b3cdb63297a68bc8370b42/IMG_0349.JPG" data-mid="100482139" border="0"  src="https://freight.cargo.site/w/571/i/f3ebbb672e8b9bfd1db9f70534f4aaf6ed91788e81b3cdb63297a68bc8370b42/IMG_0349.JPG" /&#62;
Baaboo 2017
Duration: 00:3:23


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	<item>
		<title>DRAWINGS</title>
				
		<link>https://ornakazimi.com/DRAWINGS</link>

		<pubDate>Tue, 23 Feb 2021 19:13:53 +0000</pubDate>

		<dc:creator>ornakazimi.com</dc:creator>

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		<description>︎︎︎


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</description>
		
	</item>
		
		
	<item>
		<title>CONTACT</title>
				
		<link>https://ornakazimi.com/CONTACT</link>

		<pubDate>Fri, 26 Feb 2021 18:52:58 +0000</pubDate>

		<dc:creator>ornakazimi.com</dc:creator>

		<guid isPermaLink="true">https://ornakazimi.com/CONTACT</guid>

		<description>

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Contact Form 


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</description>
		
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	<item>
		<title>CV</title>
				
		<link>https://ornakazimi.com/CV</link>

		<pubDate>Tue, 23 Feb 2021 19:22:29 +0000</pubDate>

		<dc:creator>ornakazimi.com</dc:creator>

		<guid isPermaLink="true">https://ornakazimi.com/CV</guid>

		<description>

&#60;img width="1800" height="1202" width_o="1800" height_o="1202" data-src="https://freight.cargo.site/t/original/i/5233602cc016d2c50e8c9e076dc779f4a3e258484aa74c3615983f935144b9f4/ingram_050.jpg" data-mid="138292536" border="0"  src="https://freight.cargo.site/w/1000/i/5233602cc016d2c50e8c9e076dc779f4a3e258484aa74c3615983f935144b9f4/ingram_050.jpg" /&#62;
Photography by Paul Tucker. Courtesy of The Ingram Collection &#38;amp; Unit 1 Gallery &#124; Workshop
Orna
Kazimi is a visual artist based in London. Orna’s work and research explore
personal encounters with migration in relation to collective trauma and memories of
displacement through drawings, installation and writing. 


Her work has received
recognitions and nominations for a wide range of prizes and grants such as Ingram Art Prize in 2021 (shortlisted) and the Writers
Grant funded by Creative Debuts in 2020.
 Her works have been shown at Void Gallery (Northern Ireland),&#38;nbsp; Unit1 Gallery
and Workshop (London), Lethaby Gallery (London), Tate Exchange - Tate Modern (London), Centre de la Gravure - La Louviere, TCNJ Art Gallery (New Jersey), Imago
Mundi (Milan), Theca Gallery - Milan, Queen’s Palace (Kabul). She was awarded the
Caspian Arts Foundation Scholarship (2016) and completed a master’s degree in
Fine Art at Central Saint Martins, University of the Arts London (2018).

Education
2018&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;MA Fine Art [Grade: Distinction] - Central Saint Martins -University of the Arts London &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Selected Exhibitions &#38;nbsp; &#38;nbsp;&#38;nbsp;
2022&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Twenty Years: The War in Afghanistan - Blacktown Arts Centre - Australia&#38;nbsp;2022&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Above Us the Milky Way - Void Gallery - Derry - UK&#38;nbsp;
2022 &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Death Starts from Toes - Artist Talk -&#38;nbsp;

The Mosaic Rooms - London

2021 &#38;nbsp; &#38;nbsp; &#38;nbsp; Ingram Prize 2021 - &#38;nbsp;Unit 1 Gallery &#124; Workshop - London&#38;nbsp;

2021&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;contact - Kerry Packer Civic Gallery - Adelaide - Australia &#38;nbsp; &#38;nbsp; 
2019 &#38;nbsp; &#38;nbsp; &#38;nbsp; Alter Us Collective Manifesto Declaration Event - Old Bath - London &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 

2019 &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;The Horse’s Mouth Open Art Crit - The Bomb Factory Art Foundation - London&#38;nbsp;&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
2018 &#38;nbsp; &#38;nbsp; &#38;nbsp; Degree Show, Lethaby Gallery - London

2018 &#38;nbsp; &#38;nbsp; &#38;nbsp; Overpr!nt - Centre de la Gravure - La Louviere &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 

2018 &#38;nbsp; &#38;nbsp; &#38;nbsp; What Can We Make and Become - Art Exposed Project Gallery - London&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 

2018 &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Sight and Sound Workshop at Tate Exchange - Tate Modern Gallery - London&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 

2018 &#38;nbsp; &#38;nbsp; &#38;nbsp; Overprint Presentation- Tate Exchange - Tate Modern Gallery - London &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 

2017 &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Round-table Discussion on “Art and Activism”- SOAS - London&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 

2017 &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Somehow You and I Collide -MA Interim Show- Mangle gallery - London&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 

2015 &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Map of The New Art - Imago Mundi - Milan&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 

2015 &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;The Collective - Theca Gallery&#38;nbsp;-&#38;nbsp;Milan&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 

2014 &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Art Amongst War: Visual Culture in Afghanistan - TCNJ Art Gallery - New Jersey&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 

2013 &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;4th Afghan Contemporary Art Prize - Queen’s Palace - Kabul&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 

2013 &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Beirut Contemporary Art Fair - Nikki Diana Marquardt Gallery&#38;nbsp;-&#38;nbsp;Paris&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 

 
Solo Show 
2013&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Birth - Institute of France in Afghanistan - Kabul

Awards and Commissions
2021&#38;nbsp; &#38;nbsp; &#38;nbsp; Finalist for Ingram Prize 2021&#38;nbsp;
2021&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;Propagate This project - A community based project Commissioned by Turf Projects   
2021&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;The White Pube writers grant funded by Creative Debuts
2019&#38;nbsp; &#38;nbsp; &#38;nbsp; Internship at TinType Gallery 
2016 &#38;nbsp; &#38;nbsp; &#38;nbsp;Winner of the Caspian Arts Foundation scholarship 

2014 &#38;nbsp; &#38;nbsp; &#38;nbsp;Shortlisted for 4th Afghan Art Prize 


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